A RELAÇÃO ENTRE O DIREITO E AS ARTES: CONTRIBUIÇÕES PARA O PENSAMENTO CRÍTICO CONTEMPORÂNEO
DOI:
https://doi.org/10.21527/2176-6622.2020.53.18-27Abstract
Criticism, as a visible face of the paradigmatic crisis of legal positivism, emerges as a response to the problems arising from the limitations of the Traditional Theory of Law, whose main objective is the emancipation of Law as an inducer of social transformations. Thus, Law develops the Critical Theory, adding the social perspective to legal observation, in order to offer concrete answers to society. In turn, Art consolidates itself as an expression that represents and propagates the thoughts and existential reality. Artistic expressions can contain an intense critical appeal that instigates deep reflections in the social context, from the most varied studies and fields of knowledge - including juridical. Considering the reflective character that integrates Art, it is unequivocal the availability to the Law, interdisciplinarily, of re-readings that allow a fuller and more reflective understanding. Thus, this work aims to demonstrate how the Law is responsible, through interdisciplinarity, to interpret the Arts as metaphorical denunciations of reality, in order to understand more broadly critical social and legal thinking.
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